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Nach einem erfolgreichen Raubüberfall wird Porter von seinem Partner Val Resnick hintergangen, der ihn nicht nur um Dollar, sondern auch um seine Ehefrau Lynn erleichtert. Mit einer Kugel im Rücken wird Porter vermeintlich tot am Tatort. Payback – Zahltag ist ein US-amerikanischer Actionthriller aus dem Jahr mit Mel Gibson in der Hauptrolle. Der Film ist eine Neuverfilmung von Point Blank. Entdecken Sie hier reduzierte Filme und Serien auf DVD oder Blu-ray. Wird oft zusammen gekauft. Payback. nettorent.eu - Kaufen Sie Payback - Zahltag (inkl. Set in Los Angeles; Die gleiche Geschichte - ein anderer Film: Die Entstehung des Payback Director's Cut;. Payback - der Film - Inhalt, Bilder, Kritik, Trailer, Kinostart-Termine und Bewertung | nettorent.eu John Boormans Point Blank mit Lee Marvin in der Rolle des Walker (=Parker) geht als Klassiker des Film Noir in die Geschichte ein. Was damals noch eher. Payback: Thriller/Action-Thriller von Mel Gibson/Bruce Davey mit Deborah Kara Unger/Mel Gibson/Gregg Henry. Auf DVD und Blu-Ray.
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Mel Gibson. Gotham Gucken im Stream. Die Besten Heist-Krimis. Home Filme Payback - Zahltag. Ericson Core. Er nimmt Kontakt zu Sat 1 Live Prostituierten Rosie auf, deren Fahrer er früher war und Gwyneth Paltrow Filme der Porters Frau dachte, sie sei es, mit der Porter sie betrogen habe, erneuert die Freundschaft und macht sie zu seiner Verbündeten. Das könnte dich auch interessieren. Die Gangster wollen ihm aber sein Geld natürlich nicht geben, sondern setzen stattdessen ein paar Killer auf ihn an. Payback Film DOŁĄCZ DO TWÓRCÓW Video
Payback (1999) Full Movie HD Official Hicks Deborah Kara Unger His only friend is a former employer, a prostitute, and her loyalty is in question, given she now works for the Outfit. Retrieved Death Note Staffel 2 5, Favorite revenge film? Porter is bad, but his neighbours are worse. Turner Classic Movies.
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Favorite revenge film? Edit Cast Cast overview, first billed only: Mel Gibson Porter Gregg Henry Val Resnick Maria Bello Rosie David Paymer Arthur Stegman Bill Duke Hicks Deborah Kara Unger Lynn Porter John Glover Phil William Devane Carter Lucy Liu Leary Kris Kristofferson Bronson Mark Alfa Johnny's Friend 2 Kwame Amoaku Radioman Justin Ashforth Michael, Bartender 1 Len Bajenski Edit Storyline Porter is bad, but his neighbours are worse.
Taglines: No More Mr. Edit Did You Know? Goofs The position of the fold in the picture of Rosie and Porter changes during the movie.
Quotes [ first lines ] Porter : [ voiceover ] GSW: that's what the hospitals call it: gunshot wound. Doctor has to report it to the police.
That makes it hard for guys in my line to get what I call, quality health care. Here are some of the differences to Gibson's highly publicized re-shoot version of the film that was released into the theaters.
No voiceover of Porter The opening shot of Porter in the doctor's office is not in Helgeland's cut. The film begins with Porter on the bridge returning to the city.
Brian's cut doesn't suggest the double-cross until we see the flashback. A more harsh exchange when Porter visits Rosie Maria Bello for the first time.
Odds and ends with Val Resnick Gregg Henry throughout the film. Includes a curbside threat to the David Paymer character and a funny scene calling Pearl Lucy Liu on the phone.
A small exchange between Porter and the Asian gang. When Val breaks in and beats up Rosie, Porter the dog gets shots in the head and remains dead.
In Mel's cut, the dog lives. The two versions of the film begin to change greatly when Porter confronts Fairfax James Coburn. The dialog is different and the outcome of the scene is changed.
She's never seen in the film, instead interacting with Porter over speakerphones. When Porter begins to kill her associates, the boss almost immediately gives in to Porter's demands.
In Mel's cut, the boss was a bigger character and provided a bigger climax. All the boss's son and torture scenes are not in Brian's cut of the movie.
The climax of the film takes place on a mass transit platform. Porter arranges to pick up his cut of the money, but the boss dispatches hit men to stop him.
He gets the money, but is shot in the chest. Stumbling out of the station, he shoots a couple of men in a car. Porter begins to die.
Rosie finds him and slaps him back to life. Porter suggests a doctor he knows can patch him up. The final shot is of the two driving out of town.
Was this review helpful to you? Yes No Report this. Frequently Asked Questions Q: What is the difference between the director's cut and the original cut?
Language: English. Resnick had manipulated Lynn into complicity with a picture showing Porter with another woman. Lynn then shot Porter and the two left him for dead.
He first finds Lynn, now a heroin-addicted prostitute. Taking pity on her disastrous predicament, he confines her to her bedroom, only to discover her dead from a heroin overdose the next day.
Lynn's drug delivery guy points Porter towards lowlife drug dealer and gambler named Arthur Stegman. Porter finds Stegman in the company of two corrupt police detectives, Hicks and Leary, who start harassing Porter for a share of his goal.
Porter enlists the help of Rosie, a call girl affiliated with the Outfit. He was once her limo driver and eventual lover, and a picture taken during their one-night stand was the one used by Resnick to stoke Lynn's jealousy and facilitate the original betrayal.
Rosie tells Porter that Resnick is barred from soliciting Outfit prostitutes because his sadistic tendencies nearly killed one of them, possibly Rosie herself.
Resnick is seeing a Triad -connected dominatrix named Pearl when Porter violently re-enters his life. This attempt fails, and Resnick follows Porter's trail to Rosie's apartment, beats her and recognizes her as a former victim of his extreme sexual deviancy.
Porter appears in time to prevent further abuse and shoots Resnick dead, not before obtaining the names of Outfit bosses Fairfax and Carter.
He takes Rosie to a secret apartment but finds it rigged with plastic explosives , connected to the telephone by three of Carter's hitmen. Carter states he is only an underboss , thus unauthorized to make financial decisions.
Porter then forces Carter to phone the real boss, named Bronson. When Bronson refuses over the phone, Porter carries out his threat and kills Carter.
Porter then frames Hicks and Leary by planting Leary's fingerprints on the gun used to kill Resnick, as well as stealing Hicks's badge and leaving it with the gun in Resnick's hand.
With the aid of Rosie, Porter kidnaps Bronson's son Johnny. He then visits and threatens Fairfax; Hicks and Leary, who are waiting outside Fairfax's house, are promptly arrested by Internal Affairs on account of the false evidence left earlier.
Porter is later captured by Fairfax's men, taken to a warehouse and beaten for hours. Porter finally gives an address that turns out to be his own secret apartment.
He is locked inside a car trunk and driven by Bronson, Fairfax and their men to the flat which, unbeknownst to them, still contains the unexploded bomb left earlier by Carter's men.
Porter then manages to grab the car phone and call his own apartment in time for Bronson to pick the telephone. After his captors meet an explosive demise, Porter goes to pick up Rosie.
Leaving Johnny behind, the two take off with the money the mob owed him and drive off to Canada to begin a new life. Although credited as director, Brian Helgeland's cut of the film was not the theatrical version released to audiences.
After the end of principal photography, Helgeland's version was deemed too dark for the mainstream public. After 10 days of reshoots, a new opening scene and voiceover track also were added, and Kris Kristofferson walked on as a new villain.
The Director's Cut version features a female Bronson, that is never seen only heard over the phone voiced by Sally Kellerman , does not include the voice-over by Porter and several Bronson-related scenes.
During their scuffle which is longer than in the theatrical version and was the main source of controversy , Porter earlier tells Lynn that his picture with Rosie was taken before they met, thereby rendering her jealousy unjustified.
This version has an entirely different, ambiguous ending where Porter is seriously wounded in a train station shootout and driven off by Rosie.
A June 4, , look at "movies improved by directors' cuts" by The A. Club described Payback: Straight Up as "a marked improvement on the unrulier original.
Mel Gibson stated in a short interview released as a DVD extra that it "would've been ideal to shoot in black and white.
In addition to this, the production design used muted shades of red, brown, and grey for costumes, sets, and cars for further effect.
Payback was well received at the box office. The website's critical consensus states, "Sadistic violence and rote humor saddle a predictable action premise.
Roger Ebert gave the film a three-star rating out of four in his review, writing, "There is much cleverness and ingenuity in Payback , but Mel Gibson is the key.
The movie wouldn't work with an actor who was heavy on his feet, or was too sincere about the material. From Wikipedia, the free encyclopedia.
This article is about the film starring Mel Gibson. For the film by Anthony Hickox, see Payback film. Theatrical release poster.
Plot Keywords. Running time. User Ratings. After his captors meet an explosive demise, Porter goes to pick up Rosie. The film begins with Porter on Ein Göttliches Paar Ganzer Film bridge returning to the city.Payback Film - Statistiken
Filme wie Payback - Zahltag. Mehr Infos: SD Deutsch. Im Körper des Feindes. Immer wieder aber wird die beklemmende Noir-Intensität durch Action-Brachialgewalt aufgebrochen und Gibson augenzwinkernd der rote Starvehikel-Teppich ausgerollt: Die Stärke des ehemaligen Mad Max liegt zweifellos in der spielerisch gebrochenen Gewalt des Nicht-lange-fackelns.
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