Internet Movie Database, abgerufen am Juni ↑ in der Deutschen Synchronkartei; ↑ Birdman. In. Ein in Vergessenheit geratener Schauspieler, der als Superhelden bekannt war, kämpft am Broadway um sein Comeback. Doch sein Privatleben und seine. Birdman Movie. Gefällt Mal · 1 Personen sprechen darüber. BIRDMAN tells the story of an actor (Michael Keaton) as he battles his ego and attempts.

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Riggan Thomson, der einstige Darsteller des ikonischen Superhelden Birdman, kämpft sich mittlerweile durch finanzielle und persönliche Krisen. Seine letzte Chance für seine Karriere ist sein neues Projekt: eine Broadway-Adaption von Raymond. Internet Movie Database, abgerufen am Juni ↑ in der Deutschen Synchronkartei; ↑ Birdman. In. Alejandro González Iñárritu verfilmt das Drama Birdman um den ehemaligen Darsteller eines Superhelden, der Movies You Must See Before You Die. Great movie A dramatic comedy, really great character exploration and film style. Very funny but in a dramatic way. One woman said it was the worst movie ever. Ein in Vergessenheit geratener Schauspieler, der als Superhelden bekannt war, kämpft am Broadway um sein Comeback. Doch sein Privatleben und seine. Birdman oder (Die unverhoffte Macht der Ahnungslosigkeit) [dt./OV] In years gone by 'Riggan' had played a lead role in a Super-Hero movie and indeed it's. nettorent.eu - Kaufen Sie Birdman, oder (die unverhoffte Macht der In years gone by 'Riggan' had played a lead role in a Super-Hero movie and indeed it's.

Internet Movie Database, abgerufen am Juni ↑ in der Deutschen Synchronkartei; ↑ Birdman. In. Alejandro González Iñárritu verfilmt das Drama Birdman um den ehemaligen Darsteller eines Superhelden, der Movies You Must See Before You Die. Birdman oder (Die unverhoffte Macht der Ahnungslosigkeit) [dt./OV] In years gone by 'Riggan' had played a lead role in a Super-Hero movie and indeed it's.

Ultimately, they did not overturn their decision. Birdman was edited by Douglas Crise and Stephen Mirrione , who had both worked with the director before on 21 Grams and Babel.

Stitching shots together was, of course, a crucial component of the editing, but Crise and Mirrione already had experience doing this. The director had included takes that were joined together in previous films, but in these if the editors didn't think the stitching worked they had the ability to introduce cuts.

Mirrione was busy and unable to be in New York. The director gave the New York recordings to Crise early on to help with pacing, asking him to cut the music to the film.

Still, in terms of the editing workflow, Crise described it as "pretty traditional". The editors cut the film together back in Los Angeles.

They always talk about how when you're cutting a dance scene, a choreographer wouldn't want any cuts because she's designing something to see the whole movement, and that's what Alejandro was doing here.

The visual effects for the film were created by Montreal studio Rodeo FX. For example, stitching shots together, or creating the background for the windows in the hospital scene.

To accomplish this the studio created a 2. They then rotoscoped out the parts of the mirror not containing the foreground actors and their reflections, and replaced these with the digital environment.

A matte-painting was constructed for the night-day time lapses in the film too, created by matchmoving and reprojecting shots of the buildings it features, captured at different times of the day, together.

Unlike some of the smaller adjustments though, the flying sequence required extensive preparation. Later, on a greenstage in Montreal, using a technique he had developed on Gravity, Lubezki lit Keaton with LED panels featuring high-dynamic-range images of the surrounding New York footage.

The panels then realistically lit Keaton. Khanikian described the effect of the process, saying, "Instead of using standard lighting on greenscreen, [we were getting] the proper red bounce from the red bricks, and the same color of the sky reflected on Michael's head.

It worked so well. Mirrione commented that before the sequence was finished, they "had only imagined what it was going to feel like", but once it was completed, "it took the movie to this ecstatic level that absolutely blew me away".

The production sound his team was given was "surprisingly perfect and clean", so they didn't need to spend much time tidying it.

Obviously, that would not work on Birdman because here, everything is flowing. The digital intermediate was completed by a team at Technicolor led by Steven Scott.

They had previously collaborated with Lubezki on Gravity , [67] but needed to approach Birdman differently because of the continuous-shot approach.

According to Scott, "we have never done anything like it before". To do this, the team inserted their own cuts whenever the camera was stationary, and in the middle of pans and other camera movements.

They then devised a way to color correct the stationary cuts and turn the moving cuts into a form of dissolve, allowing them to "do all these independent, crazy, complicated, color corrections that would flow organically from one to another".

Inserting the dissolves required rotoscoping methods which the software Scott and his team were using did not have, but an enterprise agreement between Technicolor and the software's developer led to the creation of a tool Scott required.

For the color timing itself, one of the priorities of the team was making the faces as dimensional and readable as possible.

This required, amongst other things, that faces be highlighted, but the moving camerawork meant that the mattes used in this process had to be animated by hand.

Lubezki would provide notes on the areas he wanted tracked, then the team would carry out the animations. The director has emphasized and defended the various ambiguities intentionally included in the film: "At the ending of the film, [it] can be interpreted as many ways as there are seats in the theater.

The father-daughter themes in the film, portrayed through the relationship of Riggan and Samantha, were the "most difficult" and important parts of the film to depict for co-writers Dinelaris and Giacobone, as they both had similar experiences within their families involving their own relationships with their daughters.

When the writers were asked about the meaning of the ambiguous ending which the director refused to comment upon, they stated that any comedic ending was completely ruled out.

The writers also stated that reflections about the conclusion to the film were not directly concentrated upon Riggan or the character of Birdman as much as upon the lives of the surviving characters portrayed in the film, in particular the portrayal of Riggan's daughter Samantha.

Birdman was selected as the opening film of the 71st Venice International Film Festival along with Mohsen Makhmalbaf 's new film. Margaret Pomeranz and David Stratton from At the Movies praised the film's writing, direction, performances and cinematography.

Stratton also described the implementation of the percussion score as "really exciting", while Pomeranz summarised: "It's just really beautifully written and stunningly performed and beautifully made.

She also noted a reference to Susan Sontag 's Against Interpretation in the dressing-room mirror. Kolker conclude that Birdman is "a film about acting, identity, transformation, and the mysterious effects of superheroes, and is filmed to create the illusion of being made in one continuous take.

As with Rope , the edits are hidden, and the result is a rhythmic slide through the life of an actor in search of his self, a search doomed from the start.

International reception of the film was also at a high level of praise. The German critic Barbara Schweizerhof gave the film a 4 out of 5 possible stars, complimenting the director's satirical virtuosity in making the film.

In her review, Schweizerhof spoke of the film as inviting the viewer to re-watch it "a second and third time", and praised the technical achievement of representing a storyline depicting "the feverish stream of consciousness" of its main character throughout the film.

The camerawork, which depicts most of the film as one continuous take, was met with extensive acclaim for its execution and usage. The acting was widely praised, particularly Keaton's, [97] [98] with Peter Debruge of Variety calling the performance the "comeback of the century".

Some reviews were negative. Richard Lawson of Vanity Fair , called the film "hoary" and "deceptively simple". Birdman was listed on many critics' top ten lists.

From Wikipedia, the free encyclopedia. Theatrical release poster. Alejandro G. John Lesher p. Arnon Milchan James W.

Skotchdopole p. Douglas Crise Stephen Mirrione. Release date. Running time. Main article: Birdman film score. Main article: List of accolades received by Birdman film.

British Board of Film Classification. September 11, Retrieved September 19, Thompson on Hollywood. Archived from the original on February 25, Retrieved February 15, Box Office Mojo.

Deadline Hollywood. Retrieved February 12, Don't even try it " ". Creative Screenwriting Magazine. Archived from the original on February 9, Retrieved February 14, Archived from the original on February 12, Retrieved February 1, Retrieved August 20, Vanity Fair.

The New York Times. Archived from the original on February 15, Business Insider. Archived from the original on February 4, January 17, The Hollywood Reporter.

Archived from the original on February 11, Los Angeles Times. Archived from the original on January 24, Retrieved February 4, Watch if you're in a mood to think, not if you want an easy cheesy comedy.

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Visit our What to Watch page. Sign In. Keep track of everything you watch; tell your friends. Full Cast and Crew. Release Dates.

Official Sites. Company Credits. Technical Specs. Plot Summary. Plot Keywords. Parents Guide. External Sites. User Reviews. User Ratings. External Reviews.

Metacritic Reviews. Photo Gallery. Trailers and Videos. Crazy Credits. Alternate Versions. Rate This. A washed-up superhero actor attempts to revive his fading career by writing, directing, and starring in a Broadway production.

Director: Alejandro G. Writers: Alejandro G. Added to Watchlist. From metacritic. Let's get your review verified. Fandango AMCTheatres.

More Info. Submit By opting to have your ticket verified for this movie, you are allowing us to check the email address associated with your Rotten Tomatoes account against an email address associated with a Fandango ticket purchase for the same movie.

How did you buy your ticket? View All Videos 2. View All Photos Movie Info. Former cinema superhero Riggan Thomson Michael Keaton is mounting an ambitious Broadway production that he hopes will breathe new life into his stagnant career.

It's risky, but he hopes that his creative gamble will prove that he's a real artist and not just a washed-up movie star. As opening night approaches, a castmate is injured, forcing Riggan to hire an actor Edward Norton who is guaranteed to shake things up.

Meanwhile, Riggan must deal with his girlfriend, daughter and ex-wife. Aug 1, Michael Keaton Riggan. Zach Galifianakis Jake. Ed Norton Mike.

Andrea Riseborough Laura. Amy Ryan Sylvia. Emma Stone Sam. Naomi Watts Lesley. Lindsay Duncan Tabitha. Merritt Wever Annie.

Jeremy Shamos Ralph. Nicolas Giacobone Screenwriter. Alexander Dinelaris Jr. Armando Bo Screenwriter. John Lesher Producer. Arnon Milchan Producer.

James W. Skotchdopole Producer. Christopher Woodrow Executive Producer. Definitive Naomi Watts Performances. January 16, Rating: 4.

January 2, Full Review…. October 28, Full Review…. August 13, Full Review…. July 7, Rating: B- Full Review…. March 11, Full Review….

View All Critic Reviews Dec 27, I love movies like this that take radical chances with their storytelling techniques. Aldo G Super Reviewer.

Jun 06, Filipe P Super Reviewer. May 10, Michael Keaton delivers a career resurrecting, layered performance as a washed-up superhero movie star trying to reinvent himself.

We are presented with some impressive cinematography, and bold direction from Alejandro G. Gage P Super Reviewer.

Mar 29, Birdman or The Unexpected Virtue of Ignorance is not only the best film of , but one of the best films ever.

This movie is masterfully directed by the incredibly talented Alejandro G. The brilliance of the movie's plot and structure can only be surpassed by the brilliance of the actors in the movie.

Michael Keaton gives the performance of his career as the ambitious Riggan Thompson who is desperate to leave a legacy that doesn't include a birdmask and a weird spandex costume.

Edward Norton plays The cinematography is off the chain as the movie continues for many different sections without making a single cut.

The beautifully crafted poetry that is this movie definitely deserves all the accolades that it got and even more to it. Lasse G Super Reviewer.

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BIRDMAN - BEST SCENE Birdman Movie. Gefällt Mal · 1 Personen sprechen darüber. BIRDMAN tells the story of an actor (Michael Keaton) as he battles his ego and attempts. Mar 18, - Mais do que drama e comédia, Birdman () é uma sátira. E como toda boa sátira, realiza uma autorreflexão. Nesse filme, o cinema de.

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Birdman wurde überwiegend positiv aufgenommen. Demnächst verfügbar. Es folgt der erste sichtbare Schnitt im Film. Dieser Film ist …. Fuimos canciones. Birdman or The Unexpected Virtue of Ignorance. Clark Middleton. Alexander Dinelaris. The Mandalorian: Season 1. James Theatre. EPD Film. This way we could get Die Erfolgsstory Von Steve Jobs close and get the light past the lens and onto the actor's face. Saw 8 Stream Hd Filme opting to have your ticket verified for this movie, you are allowing us to check the email address associated with your Rotten Tomatoes account against an email Provoked Am Abgrund associated with a Fandango ticket purchase for the same movie. Khanikian described the effect of the process, saying, "Instead of using standard lighting on greenscreen, [we were getting] the proper red bounce from the red bricks, and Birdman Movie same color of the sky reflected on Michael's head. Birdman Sara Underwood Reddit Trailer 2 Deutsch HD. Jeremy Shamos. Edward Norton. Das sagen die Nutzer zu Birdman oder die unverhoffte Macht der Ahnungslosigkeit. Taylor Schwencke. Videos anzeigen Bilder anzeigen. Netflix und Drittanbieter verwenden Cookies warum? Fuimos canciones.

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